Products

Similar uses to 23 but a bluer color. (Transmission = 34%).

Light orange with high blue content. (Transmission = 24%).

More red than 342. (Transmission = 8%).

Rich, hot pink. Electric in effect with rich saturation. (Transmission = 28%).

Musical pink. Lush accents. Very versatile color. (Transmission = 26%).

Use on scenery and background effects. Adds tone and modeling to scenery. (Transmission = 8%).

Similar uses as 45 where more saturation is needed. (Trans.= 6%). (Transmission = 6%).

Subdued sunset effect. Useful in backlights. To create seedy atmosphere. (Transmission = 14%).

Touch of color when white light is not desirable. (Transmission = 54%).

Excellent for general area or border light washes. It is a basic followspot color. (Transmission = 26%). buy

Use when a touch of color is needed. (Transmission = 64%).

Same as 53, but warmer. Useful for beams of realistic moonlight. (Transmission = 50%).

Same as 53, but cooler. (Transmission = 37%).

Highly saturated, good for side and backlighting and non-realistic effect. (Transmission = 4%).

Excellent backlight. Gives good visibility without destroying night illusions. (Transmission = 24%).

Excellent back light. Enhances dimensionality. (Trans.= 10%). (Transmission = 10%).

The original Congo Blue. A purple-blue, highly saturated, for modeling effects and non-realistic atmospheres. (Transmission = 2%).

Helps maintain white light when dimmer is at low intensity. (Transmission = 62%).

Excellent for general area washes. Very light cool tint of blue. (Transmission = 66%).

Helps maintain white light when dimmer is at low intensity. (Transmission = 54%).

Good for creating an overcast look and feeling. (Transmission = 56%).

A pale green shade of blue; good for area or general washes. Creates an icy feeling on stage. (Transmission = 67%).

Excellent sky color. Useful for cyc and border lights. (Transmission = 26%).

Excellent for early morning sky tones. Popular among designers for cyc and borders. (Transmission = 14%).